Mark Izu, known for his integration of jazz with global modalities and instrumentation, composes for orchestra, jazz ensemble, film, theater and dance; plays contra bass, the sheng (Chinese traditional multi-reed instrument) and the sho (Japanese tradition multi-reed instrument). The only symphonic sho composer in the world, Izu premiered Mermaid, an orchestral work for Kent Nagano and the Berkeley Symphony. In 2005, he wrote the sho solo for, The Manzanar Project, also with Nagano. He received a 2009 Emmy for Bolinao 52, a documentary about the Vietnamese boat people. Izu’s odyssey began in 1976 with Japanese Imperial court master musician, Suenobu Togi, and continued until Togi’s death over 30 years later. Izu’s CD, Threading Time features the final recording of Togi Suenobu with Zakir Hussain (tabla), and was released in Tokyo. It received Tokyo’s Critic’s Choice for Top 10 jazz releases of 2008. Izu’s film scores include Academy Award-winning Days of Waiting; Emmy Award-winning Return to the Valley; and a new score for silent masterpiece, Dragon Painter. His theater scores were performed at the Kennedy Center, Lincoln Center, and Sundance Festival. He was awarded a Dramalogue Award and two INDIE Awards for composition. Izu has received three Meet the Composer Commissions, a Japan/US Creative Artist Fellowship, and an ASCAP Award. Izu is a founding faculty member of Stanford University’s Institute of Diversity in the Arts. He lives with his family in San Francisco.